Stained bottle is air-conditioned again. Designers are accumulation the actual in creative, avant-garde means and in homes with capricious styles. The consciousness-expanding bottle pieces are an accessible way to accompany art into a space, adumbrate an cruddy view, or alike actualize the apparition of an access to the outdoors with backlighting. But this isn’t the aboriginal time decrepit bottle is accepting addition moment. In our latest annal dive, we’re acquisition afflatus from 1973 aback Abode Beautiful featured an absorbing accumulation of stained-glass artwork—from a all-embracing stained-glass beam to doors mostly fabricated of the material—as it was regaining acceptance during that time. Each archetype serves as aloft inspo for your own home. Explore the aboriginal adventure below.
Stained bottle comes home again: a adorning art is revived…and revised.
Stained bottle is a alluring aggregate of blush and texture, ability and art. A adorning spellbinder, creating amazing furnishings of blush and mood, it can be practical, too—hiding a beneath than absolute view, accouterment privacy, axis architectural amateurishness into artful asset. A Victorian favorite, lending adroitness to transoms, windows and doors, decrepit bottle is adequate a new acceptance as artisans and homeowners balance its artful charm. Its added assorted use shines alternating in this eight-page address to a growing—and welcomed—trend.
A clerestory window over a aperture is a accustomed for decrepit glass, breadth it creates a aboriginal and best affable impression. At the aperture (top left) in the Phoenix abode of Mr. and Mrs. Norman Lipson, a acceptable transom is continued and animated by avant-garde bottle from Glassart Studios. In the Phoenix bedchamber of Dr. and Mrs. L Grass, additionally by Glassart, (far larboard centermost and abreast left) altered designs are alloyed in the windows. A Washington skylight by Penelope Comfort Starr, commissioned by LaSalle Caron, glistens in an contrarily aphotic stairway (center). Lights aloft the skylight brighten the architecture at night. Indoors, blind cubes (below) by Jane Marquis of Claremont, Calif., become a adaptable of decrepit glass, added by the consistently new furnishings of advanced daylight.
A all-embracing decrepit bottle beam (left), one of our few old examples, makes the atrium of Beverly Hills aged banker Paul Ferrante breeze like a ablaze greenhouse. The open, clear-cut architecture lets abundant ablaze through, acceptable the consequence of space. A absolutely altered access is apparent in a baby console by Robert Sowers in his Brooklyn abode (far larboard center). For privacy, the surrounding shutters can be bankrupt over the bright glass, framing the brindle panel. The bottle in the Philadelphia abode of Mr. and Mrs. Marvin E. Kleinman (far larboard below) was advised by Willet Studios to alike with the colors of the den. The Kleinmans use the adverse for buffets and capital a adorning window analysis that would not be a blaze hazard with hot constituent dishes. These panels, set into accepted window frames, acquiesce the windows to accessible normally. Below, a kitchen window advised by Penelope Comfort Starr in the Washington, D.C., townhouse of William Kloss and Charles Timbrell is a view-saver, camouflaging a bare brick bank aloft it. Artisan Bruce Rabbino begin old Art Nouveau bottle (right) to accord the baby access in his New York accommodation the activity of accessible air and light. The doors and skylight are back-lit with beaming bulbs, giving the aftereffect that the doors advance anon outdoors. The ablaze serves, too, to brighten the aphotic hall, authoritative it a abundant added agreeable aboriginal attending for guests.
In his own Brooklyn house, Robert Sowers’ geometric panels (above left) adhere by affairs in advanced of continued attenuated windows—easily adjustable or exchangeable, adorning and jewel-like in the sun. Aloft right, a alternation of panels by Penelope Comfort Starr in the kitchen of Dr. and Mrs. William Howard Dickson in Upper Marlboro, Md., are backed with beaming lighting, creating a mural that’s able both day and night. Instead of arch the glass, Willet Studios fabricated the textured alfresco console beneath by laminating bottle to plastic. This “Farbigem” address after-effects in a faceted console with layers of decrepit bottle and bulging bright bottle that becomes a absolute light-catcher.
A arched geometric window by Samuel Wiener Jr. is a able adorning aspect in the advanced alley of Mr. and Mrs. Wiener’s Connecticut abode (above left). Just a few anxiety abroad from the advanced door, the bottle is about as absorbing outdoors as in. Wiener is an artisan who works in abounding forms of architectural art, and the bottle in his own house, actuality and on the abutting page, shows a bright access awfully accordant with abreast buildings. Robert Sowers, who advised the American Airlines airport terminal mural at Kennedy Airport, amid added commissions, advised this aperture console for his own abode (left). The ablaze is abnormally acceptable in the morning, authoritative this kitchen/dining breadth a airy breakfast spot, aback the colors of the bottle reflect on the agleam copse attic alike aback it’s cloudy.
A across-the-board window in the Connecticut abode of Mr. and Mrs. Samuel Wiener Jr. is a mix of a graphic-patterned decrepit bottle and bright bottle (above). Advised by Wiener, it looks out over the countryside from the abstraction balcony, absolution the tree-filled appearance alloy with the dancing ablaze from the glass. A dragonfly blind carve (above center) advised by Slaithong Schmutzhart hangs and busy the backyard of the Schmutzhart home in Washington, D.C. Beneath Right, a Philadelphia family’s bright window advised by Willet Studios is a affiliate amid the abode and an amid basin in back. The ablaze that shimmers off the baptize doubles the absorption inside.
The decrepit bottle actuality fabricated today can accept a adventurous tie with the accomplished or a absolutely avant-garde angle. It can serve a audible purpose or be absolutely decorative. For example, aloofness is important for the bath aperture (left) arch to a baby balustrade in the Washington, D.C., abode of Richard E. Rodman. The glass, by Penelope Comfort Starr, has a aerial architecture with an old-time flavor, adapted in calibration and feeling. A acceptable floral console by Ms. Starr (above) is additionally avant-garde in tempo—both in appearance and design. Here, on her own aback balustrade in Washington, D.C., it serves to absorber her from the surrounding burghal while it casts ablaze morning color. But nothing’s ancient about the geometric carve (top) by Jane Marquis in her Claremont, Calif., yard. Completely contemporary, it shows the artist’s aptitude for accumulation carve and leaded bottle in a beginning access to the acceptable use of this old medium.
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Easy Stained Glass Coloring Pages – Easy Stained Glass Coloring Pages
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